| Allison Coles Severance • The Artist |
| Home The Artist The Process Gallery Exhibitions Contact/Sales Community Firings Lessons Visiting |
|
When I am sitting at my wheel up to my elbows in clay, I am blissfully unaware of all the things that should make me worried or upset. When someone sips coffee from one of my mugs, or has their morning oatmeal from one of my bowls, it is my hope that I communicate to them the feelings of contentment and peace I felt when making the pot. I hope that my pots might enhance the daily rituals of preparing, sharing and eating food. I finish my pots in my wood salt kiln because I love exploring the element of controlled chance. And I have always been intrigued with, and admired and respected the mystical surfaces of pots decorated by fire, ash and salt. I continue to be more and more excited about clay as I experience first hand the relationships not only between my spirit and the medium; but also between the surfaces of the pots and the intense and complex atmosphere of my kiln. My pottery reflects many influences from the seven year development of my career - particularly pots from Great Britain and Medieval Europe. It is important to me to carry on the tradition of creating functional pottery. I don’t want my pots displayed on a shelf. I want them pulled out of the cupboard every day for use in someone’s kitchen. I continue to work to develop the individual style that will establish my place amongst the potters past and present.
|
||||||||||||||||||||||||||||||||||||||
| Home The Artist The Process Gallery Exhibitions Contact/Sales Community Firings Lessons Visiting |